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Firbank: Five Novels
Download PDF Firbank: Five Novels
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About the Author
Ronald Firbank (1886–1926) was an acclaimed British novelist whose work was championed by E. M. Forster and Evelyn Waugh. He attended Trinity Hall, Cambridge, although he left before receiving a degree. He traveled extensively through Spain, Italy, the Middle East, and North Africa. He died of lung disease while in Rome in 1926.
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Product details
Paperback: 342 pages
Publisher: New Directions; Reprint edition (May 17, 1981)
Language: English
ISBN-10: 9780811207997
ISBN-13: 978-0811207997
ASIN: 0811207994
Product Dimensions:
5.2 x 1 x 8 inches
Shipping Weight: 1.1 pounds (View shipping rates and policies)
Average Customer Review:
2.8 out of 5 stars
8 customer reviews
Amazon Best Sellers Rank:
#884,604 in Books (See Top 100 in Books)
These five books are entirely impossible to understand. I did real all of them. Firbank uses a vocabulary that has a conscientious reader looking up about five words per page. I've learned what a bombazine and a cynosure are. Adding to the complexity, Firbank sometimes writes lines in French, Spanish and African languages. He shotguns place names and character names at an amazing rate continuing through to the last page. After reading each "novel," I have no idea what happened. Was there a story, a plot? From his big hit, Valmouth p. 172, "She and Teresa together, in some white pasada, perhaps journeying South, and your Ghirlandajo and the miracle-working effigy, and afterwards, until the fly comes round, you shall teach me gleek!" I see the words, but no idea what they mean or how they relate to the rest of the story. I read about what a wonderful writer Firbank was (1886-1926). Not for me. Taxi!
I had been hearing about Firbank for years, so decided to give him a try. I couldn't make sense of any of his novels. They seem to be set in a fantasy world of his own devising, but why? It is not enjoyable in itself, nor does it comment on our world in any meaningful way. The stories can hardly be called that; just a random series of events. It all feels like the product of a mind raised in a hothouse.
Bottom Line First:Five Novels by Ronald Firbanks is period writing from the World War I modernists, experimental writers. In length these are more like long, short stories. They are thematically repetitious. There may be plots but of the five the plot line is barely important in first and last stories. Prancing N*g (cannot use that word even if it is the title), has a plot but so predictable as to be unimportant. Character s mostly begin and end as they are, although Convening the Eccentricities of Cardinal Pirelli dose have a nice turn on a main character. Nothing is conventional or esp straightforward. Descriptions are florid, focused on fashion and gardening. The rest is a series of conversations that can float in and out. This is not your basic reading and not for those with any preference for “the usual". There is little violence, some harsh language, racial stereotyping and implied sex. Many major institutions are parodied or insulted esp religion. Consider yourself warned or at least challenged.Perhaps the two most important things to know before deciding to read these Firbanks novels is that they were written 5 to 10 words at a time on post cards by a man who drank more than he ate. It is perhaps important to know that the author was homosexual and may not have worked to concealed it.Every novel, novellahas certain themes. There are always lots of time on the fashions of his main characters, especially the ladies. Much is given over to lavish descriptions and critiques of who was wearing what made of what materials. Almost as much page space goes to detailing plant life and particulars of interior decoration. Every one of these stories has some combination of a pending royal wedding and a major social event with lots of insider talk about who will and will not be invited. Characters are always of the moneyed and titled set. Religious leaders and institutions always carry a faint or overwhelming order of corruption and except for Cardinal Pirelli no one seems to care so much as to be entertained. There is always at a suggestion of lesbianism, adultery and assorted sordid sexual innuendo.Mostly stories are not so much stories as conversations strung together with varying degrees of continuity. Firbanks use of language can be over whelming. Fanfare is not good enough if fanfaronade is available. A boy is described " Witching as Eros in his loose flowing alb."
Firbank is seldom considered a serious novelist, or a major literary modernist. It's easy to see why he's underrated; most of his writings are quite brief, and infused with a daring sense of high camp. But Firbank's terse narration and elliptical dialogue require as much sophistication from readers as the novels of James Joyce or Virginia Woolf.This anthology contains most of Firbank's best work -- the outrageous _Flower Beneath the Foot_, the sublimely scabrous _Valmouth_, and his rueful final novel _Concerning the Eccentricities of Cardinal Pirelli_. (Cardinal Pirelli, a closeted boy-lover, is probably the single strongest character in all of Firbank's fiction.) Even at his campiest, Firbank acknowledges the possibility of tragedy -- and this awareness distinguishes his novels from mere social whimsy.The absence of _Caprice_ from this particular collection is a bit of a letdown, because this short novel is probably the best introduction to Firbank's skewed world view. (On a separate note, the regrettably racist title _Prancing N----r_ was not Firbank's own. Firbank actually called the novel _Sorrow in Sunlight_, and his American admirer Carl Van Vechten retitled the book to titillate U.S. audiences. Although Van Vechten's gambit worked, and _Prancing N----r_ was the only one of Firbank's novels to achieve substantial U.S. sales during his lifetime, the original British title is much better, and ought to be restored.)
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