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Review
“Delectable. . . Dances with drama and insouciant wit.” –The New York Times Book Review“A dazzlingly singular achievement. . . . Striking a perfect balance between the fantasies and neighborhood conspiracies of childhood and the mounting lunacy of Khomeini's reign, she's like the Persian love child of Spiegelman and Lynda Barry.” –Salon“A brilliant and unusual graphic memoir. . . . [Told] in a guileless voice . . . accompanied by a series of black-and-white drawings that dramatically illustrate how a repressive regime deforms ordinary lives.”–Vogue"Odds are, you’ll be too busy being entertained to realize how much you’ve learned until you turn the last page.”–Elle.com“[A] self-portrait of the artist as a young girl, rendered in graceful black-and-white comics that apply a childlike sensibility to the bleak lowlights of recent Iranian history. . . . [Her] style is powerful; it persuasively communicates confusion and horror through the eyes of a precocious preteen.” –Village Voice" This is an excellent comic book, that deserves a place with Joe Sacco and even Art Spiegelman. In her bold black and white panels, Satrapi eloquently reasserts the moral bankruptcy of all political dogma and religious conformity; how it bullies, how it murders, and how it may always be ridiculed by individual rebellions of the spirit and the intellect." --Zadie Smith, author of The Autograph Man and White Teeth "You've never seen anything like Persepolis—the intimacy of a memoir, the irresistability of a comic book, and the political depth of a the conflict between fundamentalism and democracy. Marjane Satrapi may have given us a new genre."--Gloria SteinemI grew up reading the Mexican comics of Gabriel Vargas, graduated to the political teachings of Rius, fell under the spell of Linda Barry, Art Spiegelman, and now I am a fan of Marjane Satrapi. Her stories thrummed in my heart for days. Persepolis is part history book, part Scheherazade, astonishing as only true stories can be. I learned much about the history of Iran, but more importantly, it gave me hope for humanity in these unkind times.—Sandra Cisneros, author of The House on Mango Street and CarameloI thought [Persepolis] was a superb piece of work, not only for the child's eye view—the developing child's eye view—of a society unknown to many of us in the west, and feared and suspected in proportion to being unknown.... Satrap has found a way of depicting human beings that is both simple and immediately comprehensible, AND is almost infinitely flexible. Anyone who's tried to draw a simplified version of a human face knows how immensely difficult it is not only to give the faces a range of expression, but also to maintain identities from one frame to the next. It's an enormous technical accomplishment."--Philip Pullman, author of The Golden Compass, The Subtle Knife, and The Amber Spyglass."I cannot praise enough Marjane Satrapi's moving account of growing up as a spirited young girl in revolutionary and war-time Iran. Persepolis is disarming and often humorous but ultimately it is shattering."-- Joe Sacco, author of Palestine and Safe Area GorazdeThis witty, moving and illuminating book demonstrates graphically why the future of Iran lies with neither the clerics nor the American Empire. --Tariq Ali Author of The Clash of Fundamentalisms: Crusades, Jihads and Modernity"I found the work immensely moving with depths of nuance and wisdom that one might never expect to find in a comic book. It’s a powerful, mysterious, enchanting story that manages to reflect a great swath of Iranian contemporary history within the sensitive, intimate tale of a young girl’s coming-of-age. I didn’t want it to end!"—Diana Abu-Jaber, Author of Crescent and Arabian Jazz"A rare and chilling memoir that offers every reader a personal, honest portrait of Iran's recent political and cultural history. Ms. Satrapi's provocative, graphic narrative of life in Iran before and after the Islamic revolution is an extraordinary testament to the level of human suffering experienced by Iranians tossed from one political hypocrisy to another. Aside from the humanistic dimension, the beautifully minimalist Persepolis gives further evidence of Marjane Satrapi's sensitivity and superb skill as an artist."--Shirin Neshat, visual artist/filmmaker"Readers who have always wanted to look beyond political headlines and CNN's cliches should plunge into this unique illustrated story. Let Marji be your trusted companion, follow her into the warmth of a Persian home and out along Tehran's turbulent streets during those heady days of revolution. Persepolis opens a rare door to understanding of events that still haunt America, while shining a bright light on the personal humanity and humor so much alive in Iranian families today."-- Terence Ward, author of Searching for HassanBlending the historical with the personal is not an easy task, to blend the individual with the universal is even more challenging. But Marjane Satrapi has succeeded brilliantly. This graphic novel is a reminder of the human spirit that fights oppression and death, it is a witness to something true and lasting which is more affective than hundreds of news broadcasts.--Hanan al-Shaykh, author of Women of Sand and MyrhhFrom the Hardcover edition.
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From the Inside Flap
A "New York Times Notable BookA "Time Magazine "Best Comix of the Year"A "San Francisco Chronicle and "Los Angeles Times Best-seller Wise, funny, and heartbreaking, "Persepolis is Marjane Satrapi's memoir of growing up in Iran during the Islamic Revolution. In powerful black-and-white comic strip images, Satrapi tells the story of her life in Tehran from ages six to fourteen, years that saw the overthrow of the Shah's regime, the triumph of the Islamic Revolution, and the devastating effects of war with Iraq. The intelligent and outspoken only child of committed Marxists and the great-granddaughter of one of Iran's last emperors, Marjane bears witness to a childhood uniquely entwined with the history of her country. "Persepolis paints an unforgettable portrait of daily life in Iran and of the bewildering contradictions between home life and public life. Marjane's child's-eye view of dethroned emperors, state-sanctioned whippings, and heroes of the revolution allows us to learn as she does the history of this fascinating country and of her own extraordinary family. Intensely personal, profoundly political, and wholly original, "Persepolis is at once a story of growing up and a reminder of the human cost of war and political repression. It shows how we carry on, with laughter and tears, in the face of absurdity. And, finally, it introduces us to an irresistible little girl with whom we cannot help but fall in love.
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Product details
Series: Pantheon Graphic Library
Paperback: 160 pages
Publisher: Pantheon; 1st Edition edition (June 1, 2004)
Language: English
ISBN-10: 037571457X
ISBN-13: 978-0375714573
Product Dimensions:
6 x 0.5 x 8.9 inches
Shipping Weight: 8.8 ounces (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
1,094 customer reviews
Amazon Best Sellers Rank:
#1,142 in Books (See Top 100 in Books)
Anyone who thinks that a graphic book must be nothing more than a cartoon would be well advised to read "Persepolis." It's an extraordinarily moving work, possibly all the more so for being in graphic format. It's also funny and scary and just wonderful. I'd had it on my shelf for several years and decided it was time to "tackle" it, and I'm glad I did.
This book or comic is already pretty popular, and already a highly recommend book so what can I offer that these others haven't mentioned? I don't know, I honestly don't think I can but maybe someone can take away something about what I say. Now there not a lot of books dealing with Iran or the Iranian revolution and if their is I haven't found them yet. Now this book is about a young girl going through Iran cultural revolution and how people change and how her whole family had to change or adjust to their surroundings. Eventually she goes to Europe or France (if I remember correctly) and having to deal with love, liberals or hippies, and racism and mean nuns. I don't think story is the first of its kind but that doesn't mean that it should be undermined. The story has great illustrations and how the author deals with this struggles. In a way you see her loose her innocents through a child's eyes till adulthood. There are plenty of stories of young woman having to deal with change, and their countries sexist views and using their religion to justify their actions. Even some American states do it, so calling us nothing or better than Iran is hypocritical. If your intrested in Iran, or the story of a young girl having the deal with change or racism, or the struggles of living in a very conservative/ religious country I would highly recommend this book. Thank you for reading my review. Now if your looking for another Iran comic book that deals with serious issues like Persepolis then look no further than Zahra's paradise.
This is part 1 of a 2 part story. Ms. Satrapi's masterpiece is one of my favorite works in all of comics. I read this when it came out and foisted it upon all of my comic reading friends. I gave a copy to a niece several years ago, and then recently bought another copy for another niece for her 11th birthday (I'll hold off on part 2 for her until she is 14). Because I had given it to both nieces, my 76 year old mother decided to read it. She is a retired English teacher, and she was floored at how good the story was and how powerful the medium of comics are in telling a story. Persepolis ended up jumpstarting my mother's interest in comics, and in the following weeks she read all three volumes of March, both volumes of Maus, the Story of My Tits, Chicken with Plums, and Two Brothers (this last one confused her, but she loved everything else).So, there you have it. This floored my 11 year niece and my 76 year old mother. It's brilliant and timeless.
This clever book is a kind of a memoir slash graphic novel slash comic book that’s essentially a coming-of-age story about a girl growing up in Iran.I really enjoyed this book and found it really interesting and thought-provoking. Although it sort of appears to be a light-hearted read, it gets into some serious stuff at times and really gives you some perspective.Overall, I highly recommend this book to both young adult readers and adults alike.
A long time ago my high school history teacher put the movie version on in class, much to the dismay on my classmates. A lot of people began complaining about it so my teacher turned it off. I remember being so fascinated by Marjane Satrapi's story and finally picked myself up a copy of her book. What a wonderful story. I think what I love most about the book (which is made up of comic strips) is how different the emotions can be and change. One story/comic strip will have you laughing, another furious, and another heartbroken. It was truly inspiring to see how Ms. Satrapi moved about her life and the trials and tribulations that came with it. Loved it and would highly recommend.
Finally, in the early 21st century do we receive a woman's view of life in Iran. Persepolis deserves to sit among Hirsi Ali's Infidel and Husseini's Murder in the Name of Honor. Perhaps because he parents were not overly devout Muslims, Marjane was permitted to read to her heart's content. She assimilated copious quantities of political dogma at a young age, which enabled her to see things from several perspectives.We are shown life through Marjane's eyes from her days in elementary school (even then she is a bit of a rebel, unwilling to wear the burka in the desert, though she is not alone here). Growing up in a society where social class and gender matter more than anything else, she feels genuine grief for her maid, who is doomed never to marry the neighbour she loves. Fortunate enough to evade the bullets through serendipity before the Shah's overthrow, she is forced to mature rapidly and learns that she must not blame children for the atrocities of their parents. Perhaps the most profound moral of her childhood tribulations is the price of freedom and the tragedy for those left behind, hoping, worrying and fearing for the fate of their loved ones who were imprisoned for being enemies of the state. Everyone living in the democracy must be grateful they are not suffering the fate of North Koreans.Always, regrettably, the dark puppet-masters are omnipresent. Willing to aid despots in their quest for power, the common people are often forgotten and seen as expendable. With no means to resist armed police (or escape from a barricaded cinema), their insurrections are often easy to quell. Recurrent themes are the deadly chains of hatred, vengeance and bitter grief. Forgiveness is a laudable goal, and though Gandhi succeeded in his endeavours, one is always left wondering whether the cost in human lives was worthwhile. Was there a better way? Could the soldiers have been convinced or coerced to turn against their own oppressive regime if necessary?Although told from Majane's perspective, the stories of her uncles, friends and extended families also receive their fair share of space. Each chapter of the first half reveals more of the history and culture of Iran in the 70s and 80s. No detail is omitted and the harsh realities of a country in the throes of anarchy are laid bare for readers to vicariously experience.Her secondary education in Vienna enabled her to learn more about the world beyond Iran's narrow and artificial borders. Like Anne Frank's diary, as Marjane matures, so too does her writing style and vocabulary. Despite being a comic book, the latter half is full of text and can be quite vexing to slog through. The most poignant and tragic moment comes when Marjane rejects her homeland and chooses freedom over a patriarchal dictatorship.
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